There was a thread on photrio about in-camera cyanotypes... and this morning Jnantz suggested trying it wet. That rung a big bell for me. Previously I have experimented quite a bit with ferric gelatin processes ( I'll expand on that more later ) but the process was always too slow for in-camera work and the gelatin reliefs never as robust as what can be had with dichromates. Back when photrio was APUG, I had a small blog there detailing my adventures with ferric gelatin -- mostly to make oilprints. These days if you want a blog at photrio it needs to be on an external site, so I'm making this right now to document any progress that happens with the new approach.
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Last weekend's start was a comedy of errors. I cut up some scraps of what I thought was Strathmore 400 printmaking paper ( which was r...
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There was a thread on photrio about in-camera cyanotypes... and this morning Jnantz suggested trying it wet. That rung a big bell for me....
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Last weekend's start was a comedy of errors. I cut up some scraps of what I thought was Strathmore 400 printmaking paper ( which was r...
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